2.29.2008

...It needs a title, but it does not yet have one.

Also, it needs to be less than five pages and it is six. :gonk:


Every morning, the sun (presumably) rises. Bellory, who is twenty-five years old and has dark, wavy hair, wakes up. She dresses in a loose white shirt and a pair of beige pants. She steps out of her caravan, where she lives alone. And she says, “Good morning.”

The trees have, by that time, just opened their leaves and their eyes. When Bellory speaks, the trees look at her. They would look at her whether she spoke or not, but Bellory always speaks to them.

“Did you sleep well?” She walks up to each tree around her caravan in turn and asks the same question. She does not touch them. Of course she doesn’t. My people know better than to touch the trees after what happened to Lebba and to me. She asks them, “Is it nice and sunny today?” and “Can you see far into the distance with the eyes on your branches?”

I would like to know the answers, too. If only they could answer her.

*

Bellory is alone now, but she has not always lived alone. Her father was a warrior, and he died long before we arrived here. Her mother, however, was still at the time of our abrupt relocation. She was a seamstress for the whole tribe. But she died last year. And since then, Bellory has spent her days speaking to the trees.

I wish she would make some friends. If she would make some friends, or even just one, she would have someone to talk to, a real person. But she never goes to see anyone, only stays in the area around her caravan, and no one ever comes to see her.

*

I suppose, since the eyes look at her, she feels like they are listening. Well, perhaps they are (if they are, it is for words of treason only), but Bellory, Bellory, that doesn’t make them human. Won’t you find a real friend?

Useless words. She can’t hear me, and she doesn’t even notice that my ghost has the attention of some of the trees. No one ever does notice. It’s a lonely un-life, recording the fate of a cursed tribe.

*

Bellory is twenty-seven now. She has spent the past years talking only to the trees, and today she has said something new to them.

“I had something delicious for lunch yesterday.” One of the tree’s eyes is right at Bellory’s own eye level, and it is this eye that Bellory gazes into as she speaks. “It was meat—venison. Do you remember meat? Roasted meat, so rich and flavorful, like smoke in your mouth from a fire. Do you remember fire? Dancing with light and heat…”

She rambles on, and I am concerned. Of course Bellory did not eat meat yesterday; there is no meat here, nothing but the moss. I worry that she has lost her mind. Or rather, her sanity— because I suppose we have all lost our minds, at least what we once defined as our minds, our personalities, our own thoughts untouched by the control of Hakiara, praise her kindness and mercy. In any case, I didn’t know that it was possible to go insane here, though I suppose any number of factors could cause such a thing. As I said, we’ve already lost our minds, haven’t we?

*

There is someone watching Bellory.

I just noticed. I don’t know how long he’s been there, but I just noticed that some of the nearby trees are looking in his direction rather than at Bellory or at me. He is standing behind one of the trees and looking straight past it at Bellory.

I remember him—his name is Keless. He was a warrior before the relocation, and now, of course, he is nothing, just as the rest of us are. His red hair is wild and curly, nearly obscuring his eyes. But his hair can’t hide the intensity in his gaze. He’s staring at Bellory as if her face is some form of nourishment—the last one he has.

*

I follow him home in the evening. He lives with his mother, previously a dancer, and his father, previously a fighter. I remember him now. I think, even back when we still lived in Hakiarad, I may have spoken to him once or twice, during our fighting training. It’s hard for me to remember. I wasn’t good with people back then, and he’s seven years older than I am, anyway. In the forest, I know I talked to him a few times, but I can’t remember what we said.

His parents ask him where he was all day, and he lies. He tells them he had been talking with his friends. In reality, though, he spent the entire day staring at Bellory. I think he blushed when he lied, and I think his parents probably figured him out. They didn’t press him, though.

*

Keless is back again today, staring at Bellory.

It’s hard for me to interpret his expression, and I find myself wishing that I could read his mind. I suspect—and it’s only a suspicion, but I really think it may be right—that he’s in love. In any case, I’m fairly certain that he is as worried about Bellory as I am, or more so.

Now, he does something I wasn’t expecting—he steps out from behind the tree toward Bellory. He calls her name.

She breaks her gaze away from the nearest tree, her eyes nonplussed. Suddenly, she is silent, as if she hasn’t spoken in years and doesn’t intend to break her silence now.

“Bellory,” Keless says again. He steps closer to her. She watches him approach without moving, only gazing at him, as if she has become one of the trees she has conversed with all these years.

“Bellory, come with me.” Keless’s hands are shaking as he holds them out imploringly, silently begging her to take them or to leap into his arms. “Are you lonely here? You’ll be less lonely if you’re with others rather than here by yourself.”

Keless has gotten too close, and finally Bellory pulls away. “Mother—”

Keless’s face is pained. “Bellory, your mother...”

“My mother.” Bellory points to the closest tree, her eyes clouded, deliberately unfocused. “I can’t leave her.”

“Bellorly, your mother is…” I can tell, just by his face, that Keless will not let the word “dead” pass his lips fir fear of distressing Bellory further. And besides, Bellory whispers,

“I know she is.”

She stands with her feet spread shoulder-width and her shoulders held back, the posture of one who is confident, but it is a sham. The prattling Bellory has fallen away, leaving a broken, lonely, unguarded woman.

“Keless.” She speaks his name softly. He blushes to discover that she knows it, and Bellory continues, “I can pretend here. Please leave me.”

Keless hesitates, pained uncertainty in his face. For a moment, he turns away; then he faces Bellory again. “No,” he says firmly. He steps forward quickly and catches Bellory’s arms in his hands, not letting her escape, which, by her expression, is what she wants to do. “I’m not going to leave you, Bellory. If you need to talk to someone, you can talk to me. If you want someone to just be nearby, I can do that. Will you let me do that?”

He has brought his face close to hers, and she clenches her eyes shut as she pulls back and turns her head away. “But I... I say ridiculous things,” she confesses. “I don’t think you want to listen to the things I say.”

“I would like nothing more than to listen to everything you say,” Keless answers, very softly and very seriously. He releases Bellory’s arms and offers an embrace, which Bellory accepts after a hesitant second, burying herself in Keless’s chest.

Watching from some distance away, spirit that I am, I am pleased by the scene, and pleasantly relieved. So she knew all along that she was speaking nonsense.

*

The temperatue here, as with so many other features of this cursed forest, can best be described by what it is not. It is not cold here. It is not hot. Nor is it cool, nor warm, nor any other temperature that one could define. The air lacks this innate quality, just as it lacks taste and scent, so that every breath we take reminds us that the forest we live in is no ordinary one.

In this forest without temperature, sometimes people warm us from the hearts outward. These people stand out because of they contrast with the nothingness around us.

That's why it's so easy for us to know when we're in love.

I say this now because I feel that I should finish the story of Bellory and Keless, though it has been years since I last wrote of them. They married each other within a month of that conversation. It seems fast, but in overwhelming darkness, even the tiniest pinpoint of light is obvious. We know when we are in love--and such was the case with Bellory and Keless.

Keless coaxed Bellory into interacting with others again, convincing her that she did not need to stay in her caravan alone. She began to regain the ability to interact with others, and she became a functioning member of the tribe again, as long as Keless was willing to stand by her. He always was.

The story of Bellory and Keless ended today. Today, at the age of forty-seven, Bellory died.

It was an abrupt but peaceful death, the kind that I sometimes think are simply caused by the forest itself. She died by Keless's side; he was holding her hand. When he awoke and found that she had gone to oblivion during the night, he shook her, twice, in sad disbelief, and then in sadder belief, he prayed for Ky to accept her soul into oblivion and went to find others to help him with burial rites. As he left, he turned his face towards a tree and opened his mouth, as if—

But he shook his head. Talking to the trees had been Bellory's way to survive, but it would not be a fitting tribute to her, and he—somehow—would survive without such desperate self-delusion. He had been her strength; if he proved to be weak now, everything he had done for her would be a lie.

I am glad that Bellory died before Keless did. She was able to spend her last moments with the one she loved, and she didn't have to be alone again.

Mostly a worthless entry

But I just discovered something.

Quick background, 'cause I haven't stated this outright yet: Hakiara is like the Zeus of her pantheon. She's the head honcho, the big cheese... the boss. (I don't think she would like any one of those three labels, though she tells me that she does like the Zeus comparison.)
Ky, who is one of her younger sisters and a minor goddess (all the gods are siblings; there are five (or did I say six?) major gods who can challenge fate and are ten feet tall, and then there are lots of minor gods (Akaptu, the Lucifer in all this, was a minor god) who are human-sized and kind of... make sure the machinations of fate are carried out neatly. Analogy: major gods are like CEOs who don't have to do much except sit around and be powerful, while minors get stuck with all the dirty work.
Anyway, that sentence started by being about Ky, and then it stopped being about Ky. Ky is a minor goddess who takes care of the souls of the dead--granting them oblivion when it is their fated time to die. (Think lifespans, people.) When people are killed by a major god before their lifespan is up, they just kind of hang out as ghosts. (Being killed by a major god is pretty much the only way this can happen.) This tangles the threads of fate horribly and causes a huge headache for Ky.

This morning, though, I found out why Ky hates Hakiara.
She said, "There's an end to her fate just as there is to everyone else's. At that time, though, she'll probably kill me rather than face it."

O_O
--------------
Hold this, I'm too lazy to finish at this very moment:
Jindal

[b]Gender[/b]: Male

[b]Age[/b]:

[b]Appearance[/b]:
[i]As a child[/i]: Small for his age. Wiry. Good build, well muscled.
[i]As an adult (18-20)[/i]: Still fairly short, 5'6", and about 111 lbs. Less muscled than he once was.



Name: Jindal
Age: The story covers a large period of time. However, he is most likely to be seen at age twelve or at age twenty. You can draw him at any age between that. If younger than twelve, he should look like a vicious little brat, preferrably with a nice decorative but functional knife or two. DO NOT DRAW HIM OLDER THAN TWENTY!
Gender: Male
Eye colour: Crystalline blue
Hair: Chin-length with longer eartails. Wavy, almost curly in places. He's a strawberry blond.
Height: 5'6" as an adult. As a child, he was small for his age.
Build/weight: A little underweight. Built fairly well.
Ethnicity: Akaptuan! 8D (They've got gray-tinted skin.)
Occupation: 12-20: spokesperson for his tribe (like a king, but they weren't allowed to call him that.) After his death at age 20: self-appointed recorder of the tribe's fate.
Particular designs: Tattoos on his stomach, back, both arms, and right leg. (See eventual refs.) Multiple piercings in each ear.
Weapon(s): Until age twelve, he uses knives that are fairly decorative and pretty. After age twelve, he's not allowed to use weapons.
Outfit: Usually wears a loose, off-white shirt (with sleeves that are tight below the elbow) under a neutral or navy blue vest that is embroidered in gold. His pants are very, very loose at the bottom. He wears leather boots.
Personality:
Diction: His voice is moderately high for a male's. His speech is often very gentle, and
Likes: Dawdon, Sirinka, rebelling against the goddes who trapped him there (though he won't admit it), various things that he can't have anymore
Dislikes: the goddess,
Background info: Under Construction

2.27.2008

Broken

Some notes: This is indeed for Jindal's (still unnamed) story. May call the story "Tales from a Liar," since I plan to have Ky introduce right away the fact that he's a liar. (I... question the word order of that sentence...)

Also: This is... missing a bit. It had to be under four pages long, and the part would take too long to give the background for. I plan to write it... eventually.


Broken

Dawdon hesitated before the curtain that divided Jor and Remany’s side of the caravan from Sirinka’s. “Sirinka?” he ventured quietly. “I’d like to talk to you. May I come in?”

There was no answer from the other side. Dawdon had been expecting as much; Jor, Sirinka’s father, had told him that Sirinka had been refusing to respond to anything for almost two days. Still, Dawdon thought it was more polite to at least ask first.

He pushed aside the heavy gray curtain and stepped into Sirinka’s room. He found her just as her parents had described her: lying face-up on her bedroll, her eyes closed, her hands folded in the attitude of a coffined corpse. Her long red hair, though she habitually braided it to sleep, was spread under her. The pale blue robe that she normally wore over her dress lay, discarded, on the other side of the room, so her arms were bare. The intricate tattoos on her arm were the remnants of another time.

She did not look over when Dawdon entered, though she had probably heard him. Dawdon walked to her side and knelt, and he simply watched her. For about ten seconds, she did not breathe at all; then she desperately sucked in air and let it out again in a sigh of disappointment. She did this over and over.

She was trying not to breathe.

Dawdon felt awkward just staring at her, so he let his eyes wander across the floor. He almost flinched as he saw what Jor and Remany had warned him to expect: shards and chips of polished, rounded bone, lying discarded.

“…Sirinka,” Dawdon murmured finally. “Your father tells me that you’ve been feigning death since yesterday.”

Sirinka made no response.

“Ever since Jindal’s death, I mean.” His voice cracked. Jindal—Jindal was dead. Jindal, who had been like Dawdon’s little brother; Jindal, whom Dawdon watched grow from a boy to a capable, kind man; Jindal, whom Sirinka had loved and relied on and needed, was dead.

Lost in his own thoughts, Dawdon almost didn’t notice that at the tremor in his voice, Sirinka allowed a crack to slip between her eyelids to send an empathetic glance at him.

“I know you’re sad, and I understand that, Sirinka. But…” With trembling fingers, Dawdon picked up a piece of the polished bone. “Why did you break your flute?”

She didn’t answer.

“Do you remember when we first met, Sirinka? You were trying to play it. Did Jindal ever tell you that we saw that? You sat in front of your caravan, your posture perfect, like you were about to perform… and then you started crying, because you couldn’t remember how to play. Jindal was fascinated… We didn’t know, back then, that anyone here could still cry because of his own emotions, not just because of the nightmares. And you told us that the flute was your purest love, your greatest happiness. And that Hakiara took it away from you… but why would you break it?”

As Jindal and Sirinka became friends, it had seemed to Dawdon that Sirinka had made Jindal, rather than her flute, into her happiness. She lit up only when Jindal was around; she clung to his arm like a child, despite being three years older than he; she repeatedly begged Jindal to stay with her forever. He had promised to do so.

And then he had been struck by the guard, and he had been powerless to keep his promise.

“Why did you break your flute?” Sirinka hadn’t answered. Dawdon shook his head; it was foolish to expect him to bring Sirinka out of her misery. They had been connected to each other only through Jindal only, and now he was gone.

But then: “She takes everything away from me.”

Sirinka was speaking. Her voice, usually so gentle and musical, was hoarse from lack of use, and her eyes were still shut, but she was speaking. “Why? I know what we did, and I’m sorry. Can’t I at least keep some happiness?”

Her voice was hollow; she already knew the answer. She had accepted the tribe’s fate long ago.

She said, “There was no point to keeping that flute any longer. It would only mean more pain for me. I couldn’t take it.” Suddenly her eyes, the eyes that were the color of the sky on a stormy day, flew open, and she threw herself into Dawdon’s shocked arms.

“Dawdon, I can’t take any more pain. You always kept Jindal from falling apart, didn’t you? Please—I’m sorry—won’t you do the same for me?”

In the scentless forest, Sirinka’s skin smelled of salt. She had been crying again.

“I will, Sirinka. Trust in me. I will.”

2.25.2008

2.25.2008 Part two

[Things in here might be considered spoilers for LABB, so... go away, if you haven't finished.]

I'm ticked off right now.

Like, REALLY ticked off. And... I don't know.

It's February, and I haven't checked the exact release date, but I'm pretty sure LABB is out by now. That alone isn't enough to tick me off enough to write an entry about it but the fact that some GRRRR had an end spoiler (a picture of him, labeled) in their freaking sig sure as heck is.

Also, it's that time of the month so that certainly doesn't help my emotional equilibrium.


Later:
Well. It's been a few hours--I had dinner and then Esther's Circle, and chocolate fondue and a rousing round of Sardines have made me a little happier, but I still have things to say.


I'm going to be selfish here and try to give as honest a voice to my feelings as I can.

It is MINE, dammit.
You, who are a mere reader--you, who don't care about hiding spoilers--and especially you, who is only into Death Note because of Cartoon Network and because it's now the "cool" anime to like for people who hate Narutards for their plentifulness and idiocy--YOU DON'T DESERVE IT.

STAY AWAY FROM THE BOOK THAT I TRANSLATED.



I know I don't have anything to do with anything official. I'm trying to get over that. And if I DID have to do with the official-ness, then I'd feel even more violated with Cartoon Noters reading my precious labor of love, but...
At least don't spoil it! I do not care HOW much you think you love B--do you see ME spoiling it? It's treason to L to say this, but B will always have a special place in my heart, so thoroughly mine because I translated it. B does NOT mean that much to you, and I don't care who you are.




Right.
That aside.
Remind me again, WHO was it that complained of feeling closed in and isolated because she didn't know enough people who had read it? Who was that? Oh wait. THAT WAS YOU.
My brain is so broken.
Sorry for swearing.

You've got to be kidding me.

So today in Creative Writing we're in the computer lab to work on our short stories. I grabbed computer 24 because I like that number. And see, in Creative Writing, these two REALLY ANNOYING guys sit next to me. All they do is talk all period, and what they say is rude.

WHY did I wind up RIGHT NEXT TO THEM?! They're listening to something on their stupid computers. Gah!

By the way, I'm writing about the girl who talks to trees.

Also.
The person in my class who reads Death Note is on volume six. For obvious reasons, this distresses me.

2.15.2008

Things that only make sense in my head.

So today I found out why Jindal has never expressed any sort of love for Sirinka to me. Turns out he's not in love with her! o.o See, here's what happened.
When he met her, he found her interesting. Dawdon met her at the same time because he kind of shadows Jindal constantly. xD; So they hung out together a bit, and Jindal got kind of interested in her, but at the same time... DAWDON DID TOO! GASP!! So Jindal eventually picks up on that, and at the same time his romantic interest faded. But Dawdon wouldn't go after someone that Jindal once liked... Also, since Dawdon's main "bad" trait before the abrupt relocation was that he used people to his own ends; consequently, he's been reduced to someone who can barely ever act on his own desires. In any case... Jindal realizes this about him, and he stays close to Sirinka so that Dawdon will also be close to her. How sweet.. <3

2.14.2008

Roses never never

Roses never never
Roses never never
Roses never never
Roses never never


Roses never never fall in love



WHAT THE HECK HAPPENED. I STARTED OUT TODAY WITH A POSITIVE ATTITUDE AND A DETERMINATION TO ENJOY THE DAY AND NOT LET BEING SINGLE BOTHER ME. I mean it! I was sincere! I felt happy!
And then homeroom shot THAT feeling to the PF. (Logistics error: can feelings be shot to the PF? It ELIMINATES feelings.)
And then the hopeless romantic in R took over, I think.

What happened to your resolution? Nothing til I'm sure. Nothing til I'm sure.

2.13.2008

Some writing regarding the Punishment Forest...

...which is the new, official-ish name of the Argos Forest. It's what Hakiara and Ky and any other divine being who knows of it calls it. (And you're just like WHO ARE THESE PEOPLE?!)

Anyway. Did this for creative writing. I got away with having no "you"s in it even though it has commands, mwahahahaha. I can't help it. Ky wanted to be direct. VERY direct. Haven't actually gotten it back, yet, but she read it beforehand and didn't say anything. i r sneaky.
-
Punishment Forest; or, Welcome to a Private Hell

Anyone peripherally familiar with the Punishment Forest would first describe the eyes of the trees. They bulge out of the trees just as eyes bulge out of an ordinary head. They never blink during the day; they focus on whomever is before them, symbolizing the ever-watching eyes of Hakiara, the great goddess—praise her kindness and mercy, as the little Liar would say. Their glowing teal irises roll in the wooden sockets. They stare; they criticize; they blame.
The only form of sustenance in that forest is a bland but edible moss that grows naturally—if anything there is natural—over the ground. It is springy under the feet and grainy to the tongue. To harvest it, one must scrape it out of the gray silt with one’s fingernails. There is no way to completely rid the moss of dust, but the dust is just as bland as the moss, so it makes little difference.
These are all casual observations; one would have to spend a lifetime there to understand the subtleties of that cursed place. Now, let me reveal some aspects of the Punishment Forest that few ever discover.
Breathe in: the air is tasteless. My sister—praise her kindness and mercy—was not careless or lazy when she created this forest. She was economical. She left out some aspects of reality, like the subtle taste of one's surroundings on the wind. Her victims never realize why the air seems so strange; they know only that something is wrong, and it makes them uncomfortable. She does not let them forget that they are set apart in their own private hell.
Next, breathe out. Quickly! The air poisons the mind. It flushes out personalities and convictions and fills the resultant shell-person with shame of past sins and a healthy fear of Hakiara, praise her kindness and mercy. It induces nightmares. It haunts.
After a long day in the stagnant, windless forest, finally dusk falls. The trees’ eyes close to sleep, like the petals of a tulip. The leaves of these trees, which during the day filter the sun through a green canopy, also close at night, granting moonlight to my sister's cursed victims. In the moonlight, sleep claims those victims; they dream, and they remember their sins. The screams begin about an hour after the trees' eyes close. Steady sobs ripple out of children's mouths as from a stone thrown into a pond. Their parents cannot comfort them because they are trapped in their own nightmares; deep, adult screams shred the air and the ear and the heart. Adults should have pride. Adults should not scream like that, so guiltily and helplessly. But in the Punishment Forest, they do.
And in the morning, everyone awakes, dries his or her eyes, and falls under the scrutiny of the trees again.

2.01.2008

Watch out for the internet; that's where spoilers come from.

Grrr.

Anyway, I decided to do this:

1.) What is your character's name? Jindal. <3
2.) What does he/she look like? Grayish skin. Firey orange hair. Blue eyes.
3.) Where does he/she live? In a forest where the trees have EYES. Previously wandering on the continent of Hakiarad.
4.) How old is he/she? Twelve when they get sent to the forest. Twenty when he dies, stays that age for about thirty more years before dying.
5.) What time period does he/she live in? HAKIARAD TIME PERIOD! >_> <_< It's sorta... well, your typical fantasy-ish time period...
6.) Does he/she have any relatives? Mother died when he was two. Father died because he did a very bad thing. Thinks of Dawdon, his bodyguard, as a big brother (or more, who knows anymore?). Was thinking of getting engaged to Sirinka, but died.
7.) What is his/her favorite color? Hrm... neutrals?
8.) What is his/her favorite food? Something growable. Not meat. They don't have meat, or alcohol.
9.) What types of clothes does he/she wear? You know, that. -sketches with fingers-
10.) Describe his/her pajamas: Umm... drawstring pants?
11.) What is his/her favorite book? His own! >:3
12.) What is his/her favorite song/music genre? Iiiiiiiiirelevant...
13.) How often does your character shower/brush his/her teeth? Oh who knows.
14.) When was the last time he/she went out on a date? He was on a date with Sirinka when he stopped the guards from harming Lebba and got punched in the chest.
15.) Does he/she have allergies/asthma/some strange disease or susceptibility to disease? He had the warping disease...
16.) Does he/she play an instrument? No.
17.) Does he/she collect items? Nope.
18.) Does he/she have any friends? Dawdon, Sirinka. On good terms with the entire tribe, except for mindless people like Rodder. Or maybe he takes care of Rodder too, or whatever...
19.) If you could place your person in a high school, which groups would he/she "click" with? Oh, geez... I dunno. Maybe... people who are good at leadership? Preps? D:
20.) What hair styles does your character have? Eartails. And short, semicurly hair.
21.) If your character got lost in a forest, what would he/she do? Ahahaha...
22.) If your character got flicked off by someone, what would he/she do? Deal with it calmly.
23.) If your character was asked out on a date by a random person, what would he/she do? Tell her that he's in love with Sirinka (...which is possibly not true, gah...)
24.) Does your character have any phobias? He's deathly afraid of displeasing Hakiara. But that's hardly an unexplained fear.
25.) Does your character have a job/profession? He's a spokesperson for the tribe. >_> Which is like a king, only... they're not allowed to call him that.
26.) Is your character a morning person, or a late-night person? He likes to be awake as much as possible... he hates dreaming.
27.) If your character met you, what would he/she say/do? He would... possibly be annoyed at me. He'd probably ask for an explanation on the extent of the curse/s, which I would currently be unable to provide...
28.) When is your character's birthday? They have different months there! (lolexcuses)
29.) What habits does your character have? Tugging on the chain in his right earring when thinking. When referencing Hakiara, saying "Praise her mercy and kindness" instead of what he tells himself he doesn't feel, "damn her to hell."
30.) How would a character in your book who does not like this character describe him/her? I don't think I've actually created anyone who dislikes him... (WEEOOOWEEOOOWEEOOO Gary Stu sign alert... eep!) But if you want a list of his bad qualities... he lies, he's shallow (though that one's not his fault), he's petty, he's bitter...

It's that time again~

This is episode fifteen... I should have a backup...

Also I should have four with me. brb.

Never mind, the pizza's here... jaa bbl da ne.

UWA DAKEDO LAST EXILE WO MITETE DIO-SAMA GA~! DDDDD: DIO-SAMA~~~ D: Uwaaa. Demo. Luciola wa iyasu (??) to itteiru kara daijoubu... ne?

Ah uwa demo. Mullin Shetland ga. ;;


Right. BBL.
Okay. Back. Oh, whoops, four...
NOW I'm back.
Lalalalaaa...
FWAH? Why are they playing the "next episode" thing again? Crap, did I miss an episode? Dang busy-ness... crap...
I missed a crapload. I thought the new ones came out on Saturday, crap... I'll have to watch clips...
Friggin' fleur de lis jewelry...
No kidding, Light?
:/ I always kinda assumed she had more conditions than just that one...
These are not in order and it ticks me off.
DO IT, MISA, DO IT!
WHAT THE---no, I'm not even going to ask it. I need to stop looking at clips, dangit, if those darnn fangirls weren't obnoxious enough already, what're you thinking, grawr...
So I found the first clip with Takada and am experiencing unbridled hatred right now... Crappy animation though. She looks ugly... She's always plain-looking, of course, but now she seriously just looks ugly...
So I'll be watching these out of order, I suppose, because CN has a death wish. (Several, by the looks of it.)
:C @ Yobisute stuff
Want to color...
Motemote JERK. >_>
O how I hate Rem's voice.
Mitakunai. Kore wo. Sukippu shichaou ka na...
That addition was unnecessary... (How many times have I said "unnecessary" in these?)
They combined L's theme and Light's theme...
Well, at least THERE's a constant and some sense. For all the good it does us... geh, this depresses me. (I am going to be a freaking WRECK when we get in range of 25, you know that?)
Aww, she hugged Rem. >___> *dies*
Kira Lite.... riiiight... This whole "clip" thing just isn't working for me.
That was amusing but thoroughly unnecessary. And also of dubious possibility. C'mon, this series is supposed to seem somewhat realistic! (DOKO GA?!)
Dude, there are people WATCHING.
Oooh, oooh. Pick me. I found one.
She'll be fine, she's got the eyes of a hawk shinigami watching her. (Random FMA ref... WHY?!)
Why are Rem's legs... dark...? >__>
Misaaaaa. Why would you say something like that? She totally could. And should.